January 24
Hosted a double feature at the Costa Mesa Baha'i Center. Everything went as smooth as possible. Nathan Fillmore was my sound man and his father Tom helped out too.
Hosted a double feature at the Costa Mesa Baha'i Center. Everything went as smooth as possible. Nathan Fillmore was my sound man and his father Tom helped out too.
February 24
Richard Castle's and my song MR. WHISKERS got yet another feather for our collective cap as a semi-finalist in the International Songwriting Competition.
A few days later I found out that Hillary Rollins' and my song EVERYTHING MUST GO is a finalist for a MAC Award, the winners decided upon at an event in Manhattan on March 31st. Wish us luck.
Richard Castle's and my song MR. WHISKERS got yet another feather for our collective cap as a semi-finalist in the International Songwriting Competition.
A few days later I found out that Hillary Rollins' and my song EVERYTHING MUST GO is a finalist for a MAC Award, the winners decided upon at an event in Manhattan on March 31st. Wish us luck.
February 26
After six months of auditioning about 50 singers in Orange County and Los Angeles for my a cappella trio, I finally found the third singer. I can now move forward with my plans to make this group a world wide sensation. Still trying to come up with a name but we have a few months.
After six months of auditioning about 50 singers in Orange County and Los Angeles for my a cappella trio, I finally found the third singer. I can now move forward with my plans to make this group a world wide sensation. Still trying to come up with a name but we have a few months.
March – December
The lockdown ended permanently my trio project and the scheduled debut of Richard Castle's and my musical, LOVE STINGS which was to begin all summer long performances from June through August.
Around August or September, I hired Tom Bar, a composer/producer in Israel to produce a recording of GONNA DIG A BIG HOLE, the same song I planned with the above a cappella trio. Shortly after we begun, Israel went on lockdown preventing the singer from commuting to Tom's studio. At the end of October, the lockdown was released.
The lockdown ended permanently my trio project and the scheduled debut of Richard Castle's and my musical, LOVE STINGS which was to begin all summer long performances from June through August.
Around August or September, I hired Tom Bar, a composer/producer in Israel to produce a recording of GONNA DIG A BIG HOLE, the same song I planned with the above a cappella trio. Shortly after we begun, Israel went on lockdown preventing the singer from commuting to Tom's studio. At the end of October, the lockdown was released.